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Thomas Hirschhorn, Gramsci Monument, 2013, Forest Houses, Bronx, New York. Courtesy Dia Art Foundation. Photo: Romain Lopez.
…It made me proud to be an artist and a New Yorker ...
 
Koons’s retrospective at the Whitney Museum of American Art continues through October 19. ...
 
Honore Daumier, Galerie Tableaux. Image taken from Wikimedia Commons, the free media repository.
What differentiates a “gallerist” from a dealer or a curator? ...
 


Robert Rauschenberg, Short Circuit (Combine Painting), 1955. Oil, fabric and paper on wood supports and cabinet with two hinged doors containing a painting by Susan Weil and a reproduction of a Jasper Johns Flag painting by Elaine Sturtevant, 40-3/4 x 37-1/2 x 4-1/4 inches. Courtesy of Gagosian Gallery

Too absorbed by the future to bother about the past: Robert Rauschenberg


If Johns is our Mallarmé, Rauschenberg is our Walt Whitman.


Gina Werfel, Collision, 2010. Oil on canvas, 60 x 60 inches. Courtesy of the Artist

Gina Werfel’s Persistence of Vision


2011 essay reposted with new show of paintings at Prince Street Gallery


rmcover-gloria

“Like Renoir, he doesn’t only paint with his brush”: Raoul Middleman’s Baltimore Babes


Exhibition at Kouros Gallery runs through April 2.


child

Arthur Danto: Artist


Musings on the youthful drawing and printmaking activities of an august philosopher and critic.


psychodrama

Psychodrama: Modern Art As Group Therapy


The introduction to his latest book with essays on Karel Appel, Louise Bourgeois, Lucian Freud, Helmut Newton and others


Margaret Lanzetta, Karnal 0184, 2009. Oil and enamel on panel, 24 x 24 inches. Courtesy of the Artist.

A Postmodern Garden: The Work of Margaret Lanzetta


The artist’s show at College of the Holy Cross’s Cantor Gallery in Worcester, MA closes December 15


Nancy Spero, Codex Artaud VII, 1971. Cut-and-pasted typed text and painted paper on paper, 2-1/2 inches x 12 feet 6 inches. Reproduced from the book under review

The Figure as Hieroglyph: Nancy Spero’s “First Language”


An extract from the author’s new book as the Nancy Spero retrospective opens in Paris


Sandi Slone, The Buxom Eye, 2009. Oil, acrylic on canvas, 20 x 66 inches. Courtesy of the Artist

The Buxom Eye of Sandi Slone


Essay from the artist’s exhibition at Elizabeth Leach Gallery, Portland, Oregon, October 7 to 30, 2010


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Time out of Mind: On Deborah Garwood’s Evans Pond


Garwood’s Evans Pond series showed at the Fundación Antonio Pérez, Cuenca, Spain this summer


Laura Newman, Rorschach, 2012. Oil and acrylic on canvas, 24 x 32 inches. Courtesy of Jen Bekman Gallery

Never Trust a Laura Newman Vertical


Laura Newman: Recent Paintings is at Jen Bekman through October 14th