Andrew Lampert, still from DCP/Steenbeck, 2014. Video, TRT 4:53 minutes. Courtesy of the artist.
A show examining our relationship to tech, old and new. ...
 
Elizabeth Ferry, installation view of "Dems Toad," 2014, at Honey Ramka. Courtesy of the gallery.
An exhibition of sculptures and paintings of beastly sexual energy. ...
 
Carla Gannis, The Garden of Emoji Delights, 2014. Digital C-print, detail of left panel. Courtesy of the Artists
On view at Kasia Kay Art Projects, Chicago ...
 


Christopher Williams; Untitled (Study in Yellow/ Berlin) / Dirk Schaper Studio, Berlin / June 21, 2007 (No. 1); 2008. Chromogenic color print, 20 x 16 inches. Courtesy David Zwirner, New York/London and Galerie Gisela Capitain, Cologne © Christopher Williams.

The Production Line of Credulity: The Rhetoric of Christopher Williams


Williams’s recent retrospective was praised for its critical and visual ingenuity, but was that adoration misplaced?


Gianfranco Zappettini, Surface analytical n. 244, 1973. Acrylic on canvas and powdered quartz, 80 x 80 cm. © Gianfranco Zappettini.

The Zombies: Contemporary Abstraction and Its Critics


Do the recent conversations about abstract painting miss the point?


Harriet Korman, Untitled, 2012. Oilstick on paper, 16-1/2 x 23-1/2 inches. Courtesy of the Artist and Lennon, Weinberg, Inc.

Jewel-Pure Color: Harriet Korman at Lennon, Weinberg


“Rigorous, flat, unpredictable, startling, deadpan, funny”


Jim Hodges, the dark gate, 2008. Wood, steel, electric light, and perfume, 96 x 96 x 96 inches. © Jim Hodges. Courtesy of the artist. Photo: Robert Wedemeyer.

Give You So Much More: Jim Hodges at the Hammer Museum


A traveling retrospective of the artist’s work renders the personal political and beautiful.


vonRdetail

The Review Panel is tonight: Abramovic, Kjartansson, Hartung, von Rydingsvard


Panelists are Sarah Douglas, Edward Epstein, Lance Esplund


The Review Panel, October 204, left to right, Joan Waltemath, David Cohen, Marjorie Welish, Ken Johnson. Photo: Grace Markman

The Review Panel: Podcast of last week’s debate


Ken Johnson, Joan Waltemath and Marjorie Welish were David Cohen’s guests


John Walker, Untitled Bingo Card 2013. Oil on canvas, 7-1/2 x 5-5/8. Courtesy of Alexandre Gallery

Land Meeting Sky: John Walker at Alexandre Gallery


These paintings convey nature’s immensity even as they mangle its topography.


Mark Newport, Sweaterman 5, 2008 Hand-knit acrylic yarn and buttons, 80 x 23 x 6 inches

Heroes of Superfuzz: Mark Newport’s Knitted Suits


The artist’s knitted full-body suits queer the superhero mythos and the gendered divisions between arts and craft.


Tomma Abts, Untitled #7, 2013. Colored pencil and pencil on paper, 35-1/2 x 25-7/8 inches (90.2 x 65.7 cm). Courtesy of David Zwirner Gallery

Real Spaces and Illusions of Depth: Tomma Abts at David Zwirner


Asymmetry, illusion and odd numbers all add up in her latest exhibition


How I Became a Painter: Trevor Winkfield in Conversation with Miles Champion, 2014, Pressed Wafer.

Origin Stories: A Poet and Painter in Conversation


Two friends, Trevor Winkfield and Miles Champion, discuss their inspirations and history in a new book.