Friday, October 28th, 2016
 
Nathaniel Dorsky, Autumn, 2016. Silent 16mm color film, TRT: 26:00. Courtesy of the artist and New York Film Festival.
Two experimental filmmakers depict the world, using the methodology of poetry. ...
Friday, October 14th, 2016
 
Arlene Shechet, A Night Out, 2011. Glazed Ceramic, acrylic paint, and hardwood, 45 x 13 x 17 inches, Courtesy of the artist and Sikkema Jenkins & Co.
As stunning new show opens at Sikkema Jenkins & Co, a look back at last year’s retrospective at Boston’s ICA ...
Wednesday, September 14th, 2016
 
rabinowitz_feature
The Israeli sculptor and video artist contends with physical manifestations of war and trauma. ...
 

Saturday, November 5th, 2016

Clyfford Still, PH-950, 1950. 
Oil on canvas, 233.7 x 177.8 cm. 
Clyfford Still Museum, Denver (c) City and County of Denver / DACS 2016.
Photo courtesy the Clyfford Still Museum, Denver, CO

Conflicted Ambitions: Abstract Expressionism at London’s Royal Academy


Art made in turbulent times revisited in a conflicted present

Thursday, November 3rd, 2016

Marilyn Minter, 100 Food Porn #6, 1989-90. Enamel on metal, 24 x 30 inches. Hort Family Collection

And Then There Were Two: Focus on Retrospectives at The Review Panel


Marilyn Minter at Brooklyn Museum opens Friday, Kerry James Marshall at Met Breuer in second week

Tuesday, November 1st, 2016

Stanley Lewis, Westport Train Station with Figures, 2009. Ink on paper, 13 x 23 inches. The Louis-Dreyfus Family Collection. Currently on view in the exhibition, Stanley Lewis: The Way Things Are at the New York Studio School through November 13

Generosity of Eye: William Louis-Dreyfus, 1932 to 1984


Countless individuals, institutions, and causes lost a remarkable and irreplaceable friend earlier this fall with the passing of collector and philanthropist William Louis-Dreyfus. He literally transformed the lives of artists whose works he amassed. A stalwart campaigner for social justice, he pioneered ways of fusing his twin passions for art and for serving the underprivileged…

Tuesday, November 1st, 2016

John Newman, Blue Ribbon Teardrop, 2008. Wood burl, blown glass, acrylic paint on acqua resin, wood putty, Japanese paper, papier mache, Foamcore, armature wire, string, 14-1/2 x 15-1/2 x 9 inches. The Louis-Dreyfus Family Collection

Generosity of Eye: William Louis-Dreyfus, 1932 to 1984


Countless individuals, institutions, and causes lost a remarkable and irreplaceable friend earlier this fall with his passing

Monday, October 31st, 2016

A Featured Exhibition from WEEK AT A GLANCE at THE LIST


(Friday) Jimmy Wright at Fierman Never trust a man who paints nothing but flowers: something else is going on, either in secret, in his past, or perhaps indeed hiding in plain sight in those beautiful damned flowers! With Jimmy Wright one wouldn’t be surprised if it turns out to be all three. Wright arrived in…

Monday, October 31st, 2016

shezad-dawood-anselm-chapel,-tokyo,-

Latest Podcast of The Review Panel from October 18, 2016:


David Humphrey, Paddy Johnson and Terence Trouillot, joined by moderator David Cohen.

Monday, October 31st, 2016

KJM.Supermodel

Tomorrow (Wednesday) at the Pennsylvania Academy of the Fine Arts: Colleen Asper and Judith Stein join David Cohen for The Review Panel Philadephia


reviewing work by Todd Baldwin, Victoria Burge, Luba Drozd, Brian James Spies and Kocot and Hatton

Friday, October 28th, 2016

Jane Benson, Faux Faux (Iris Yellow), 2015. Hand cut artificial flower and glass 30 x 15 x 13 inches. Courtesy of the artist and The Parlour Bushwick

Faux Faux and Hooker Shoes: Parlor Games in Bushwick


What a World, What a World at The Parlour Bushwick through November 6

Wednesday, October 26th, 2016

Installation view, "Calvin Marcus: Were Good Men," 2016, at CLEARING Gallery. Courtesy of the gallery.

Spilled Blood: Calvin Marcus at Clearing


A show of new paintings puts questions to cultural assumptions about war.

Wednesday, October 26th, 2016

Colleen Asper, {forward fold, legs wide; triple triangle}, 2014. Oil on canvas, 27 x 68-3/4 inches. Courtesy of the artist and On Stellar Rays. Asper appears as a critic on The Review Panel Philadelphia at the Pennsylvania Academy of the Fine Arts on November 2

If a goose has been laying golden eggs for 11 years, why change its diet?


Exceptions to prove the rules in Philadelphia and Brooklyn