Jane Freilicher, Still Life Before a Window, 2007, Oil on Linen, 32 x 40 inches
“HUBS” links to artists and subjects discussed multiple times at artcritical. ...
 
Zürcher Studio's booth at Untitled art fair, Miami Beach, December 2013. To left, Brian Belotti: " Belott's wall of small highly decorative panels, each built around a single dirty sock."
“HUBS” is a new category on artists and subjects discussed multiple times at artcritical. ...
 
Andrew Lampert, still from DCP/Steenbeck, 2014. Video, TRT 4:53 minutes. Courtesy of the artist.
A show examining our relationship to tech, old and new. ...
 


A double-page from Fragments, lithographs by Marc Desgrandchamps with text by Pliny the Elder, published by Michael Woolworth Publications, 2014

Democratic Art: Print Week Descends Upon New York


IFPDA Print Fair at Park Avenue Armory, E/AB at Art Beam Building, Chelsea


Blue Note, for Al, 2014. Melted plastic, acrylic pigmented fiberglass, electric lights, 105 x 172 x 35 inches. Courtesy of Loretta Howard Gallery

Quicksand: Judy Pfaff at Loretta Howard and Pavel Zoubok


A double whammy show at 531 West 26th Street


Karla Black, exhibition view, Modern Art, 13 October - 8 November 2014. Photograph courtesy of Modern Art.

Absolutely Curtains: Karla Black’s Diaphanous Walls at Modern Art


Black’s site-specific installation undermine the conventions around materials and their gendered connotations.


Theresa Chong, LU (Walking Carefully), 2014. Gouache and colored pencil on Shikibu Gampi, 12 x 11-3/4 inches. Courtesy of Danese/Corey

Imagined Landscape: Theresa Chong at Danese/Corey


A show of small works on paper, through November 15


A scene from Frederick Wiseman’s “National Gallery”. Courtesy of Zipporah Films

Upstairs Downstairs: Frederick Wiseman’s National Gallery


Now playing at Film Forum, through November 18


Christopher Williams; Untitled (Study in Yellow/ Berlin) / Dirk Schaper Studio, Berlin / June 21, 2007 (No. 1); 2008. Chromogenic color print, 20 x 16 inches. Courtesy David Zwirner, New York/London and Galerie Gisela Capitain, Cologne © Christopher Williams.

The Production Line of Credulity: The Rhetoric of Christopher Williams


Williams’s recent retrospective was praised for its critical and visual ingenuity, but was that adoration misplaced?


Gianfranco Zappettini, Surface analytical n. 244, 1973. Acrylic on canvas and powdered quartz, 80 x 80 cm. © Gianfranco Zappettini.

The Zombies: Contemporary Abstraction and Its Critics


Do the recent conversations about abstract painting miss the point?


Harriet Korman, Untitled, 2012. Oilstick on paper, 16-1/2 x 23-1/2 inches. Courtesy of the Artist and Lennon, Weinberg, Inc.

Jewel-Pure Color: Harriet Korman at Lennon, Weinberg


“Rigorous, flat, unpredictable, startling, deadpan, funny”


Jim Hodges, the dark gate, 2008. Wood, steel, electric light, and perfume, 96 x 96 x 96 inches. © Jim Hodges. Courtesy of the artist. Photo: Robert Wedemeyer.

Give You So Much More: Jim Hodges at the Hammer Museum


A traveling retrospective of the artist’s work renders the personal political and beautiful.


vonRdetail

The Review Panel is tonight: Abramovic, Kjartansson, Hartung, von Rydingsvard


Panelists are Sarah Douglas, Edward Epstein, Lance Esplund