Monday, August 28th, 2017
 
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On view in Chelsea, extended to September 1 ...
Friday, August 25th, 2017
 
Clintel Steed, Taekwondo #2 (Olympic Series), 2016. Oil on canvas, 30 x 30 inches. Courtesy of the Artist
“I wanted to paint this subject because all the athletes are so in tune with themselves” ...
Wednesday, August 9th, 2017
 
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Exuberant joy in the face of anguish; through September 10 ...
 

Monday, September 11th, 2017

just for test

Test, Monday

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This is a test of the preview problem  

Saturday, September 2nd, 2017

Claude Viallat, 1974/032, 1974. Dye on fabric, 77.2 x 86.6 inches. Courtesy of Ceysson & Bénétière

From Mao to Matisse: Claude Viallat in New York


This survey of the Support/Surface artist, 1967 to 2017, was at Ceysson & Bénétière

Tuesday, August 22nd, 2017

cover of the book under review, with portrait of the artist by Chuck Close

The Beholder’s Share


Drawing on family experience, the author dives into the neuroscience of figuration and abstraction

Saturday, August 19th, 2017

Mercedes Helnwein, Queen of the underground, 2015, Oil pastel on paper, 41.5 x 42 inches. Image courtesy of the gallery.

Social Amnesia: Strangers, curated by Emma Frank


at Castor Gallery, on the Lower East Side, through Saturday

Wednesday, August 9th, 2017

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Max Kozloff, in his first contribution to artcritical, explores the ethics of prettiness in relation to Florine Stettheimer

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What strikes the eye immediately is the rhythm of line and limb that jumps about, especially in ensembles with little narrative pretext. They’re frequently scattered across nebulous white grounds and are endowed with a gem-like aura that resembles the capitals in illuminated manuscripts. Yet, when they’re on the move, they might also recall the snap…

Wednesday, August 9th, 2017

Featured item from THE LIST: Eve Aschheim, Lines Without Outlines at ‘T’ Space, Rhinebeck, NY


Now in its eighth summer season, ‘T’ Space, a gallery designed by Steven Holl on the architect’s Dutchess County campus, offers an ambitious program of solo presentations and other projects. To launch her exhibition this weekend, Eve Aschheim teams up with poet Susan Stewart and pianist Christopher Oldfather who will perform works by Earle Brown…

Wednesday, August 9th, 2017

Rico Gatson, Billie #2, 2014. Color pencil and photograph on paper, 22 x 30 inches. Courtesy of Ronald Feldman Fine Arts, New York

Aspirational: Rico Gatson’s Icons at the Studio Museum in Harlem


Works in colored pencil and collage, on view through August 27

Wednesday, August 9th, 2017

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Material Synthesis: The collaborative art of Crystal Gregory and Alexa Williams


Their show was seen last month at Black and White in Bushwick

Thursday, July 20th, 2017

Medrie MacPhee, Are We Green About This?, 2017. Oil and mixed media on canvas, 45 x 55 inches. Courtesy of the Artist and Tibor de Nagy Gallery

“Comfort Clothing for Fraught Times”: Medrie MacPhee in conversation with Leslie Wayne


Her show at Tibor de Nagy is up through July 28

Tuesday, July 18th, 2017

DeShawn Dumas, Hold in Mind, 2017. Thermoplastic and spray paint on wood, 67 x 42 inches. Courtesy of the Artist and Ethan Cohen New York

Holocene Extinction: DeShawn Dumas at Ethan Cohen


For Dumas, the question of extinction also points to violence against African-Americans