These paintings convey nature’s immensity even as they mangle its topography. ...
 
click to enlarge
Richard Phillips: Negation of the Universe from Rizzoli ...
 
Peter Fend, Flags (Costa Rica, Haiti, Belarus, Chad, ISIS, Korea, Jamaica, Algeria, Russia, United Kingdom), 2014. 10 aluminum flags with UV inkjet, 12 x 18 inches each. Courtesy of Essex Street
See Hockney and Holzer in Chelsea, John Walker on 57th Street, Peter Fend on the Lower East Side ...
 


YoshiWadaTashiWada_byBradleyBuehring_courtesyISSUEProjectRoom20140913_39

Special Low Frequency: Yoshi Wada & Tashi Wada at Issue Project Room


A performance of drone and minimal music for the body and head.


Samuel Fosso, Mémoire d'un ami, 2000. Gelatin-silver print, 98 x 146 cm. Courtesy of the Walther Collection.

“Would You Please Keep Looking, Please?”: Samuel Fosso at the Walther Collection


Fosso challenges visions of African identity through self-portraiture.


Eisenman_195_Breakup_JPG

Philly Season Premiere October 8 and Line Up for Anniversary Edition October 24


shows include Nicole Eisenman at the ICA


cover-cover-rr

In All Their Wondrous Weirdness: Raphael Rubinstein’s Personal Revisionist Dictionary of Art


Launch at White Columns, Friday, October 3


Xanti Schawinsky, Sphera (2859), 1970. Airbrush paint on two layers of stretched guaze on frame, 37 x 36.75 x 1.25 inches. Photograph courtesy of Broadway 1602.

Revival: Xanti Schawinsky is Rediscovered


Two concurrent exhibitions of the artist’s work run in Midtown and Soho.


Josh Dorman, Memento Mori, 2014. Ink, acrylic and antique paper on two panels, 56 x 120 inches. Courtesy of the artist and Ryan Lee Gallery.

Nature Tries Again: Josh Dorman at Ryan Lee


Geological-, biological-, and mechanical-history paintings as collage.


Paul Sietsema, Red painting, 2014. Enamel on linen, 50 1/8 x 46 3/8 inches. Courtesy of the artist and Matthew Marks Gallery.

Trompe-l’oeil and Postmodern Cheek: Paul Sietsema at Matthew Marks


Is trompe-l’oeil painting inherently anti-climactic?


Ara Merjian, Roberta Smith, David Cohen and Stephen Westfall at The Review Panel, October 2013. Photo: Jill Krementz

New Kid, Gloves Off


Thoughts on negative criticism, The Review Panel and his job from recently appointed Associate Editor


Harry Roseman, March 25, 2005.

Snips and Snaps: Harry Roseman’s Haircuts at Sacha & Olivier


A show that gives new meaning to “salon hang”


Will Bruno, Something Shocking, 2014. Oil on paper, 15 x 11 inches. Courtesy of the artist.

Comic Revelations and Reappearances: Works by Will Bruno


An adventurer in the Pacific Northwest exhibits the record of his recent journeying.