Sunday, March 3rd, 2019
 
Holling-cover
A derangement of the senses is arrived at via multifarious stimuli ...
Tuesday, February 26th, 2019
 
spot
Her show of bells and mirrors was in Chelsea this winter. ...
Friday, February 22nd, 2019
 
wynne-cover
Interventions in the permanent collection of American art, up through March 3 ...
 

Sunday, December 9th, 2018

Tiffany Chung, reconstructing an exodus history: boat trajectories, ports of first asylum and resettlement countries, 2017. Embroidery on fabric, 55 x 137 ¾ inches. Courtesy of the artist and Tyler

Art Basel Miami Beach: Survey, Positions, Nova


Amidst a tremendous amount of great art on display at  Art Basel Miami Beach this year, three curated sections threw up new discoveries and mined historical blind spots. In Survey, 16 historical projects presented individual artists across a spectrum of cultures, generations and approaches. Hackett Mill, a gallery from San Francisco, showed terrific late paintings…

Saturday, December 8th, 2018

Performance of Inner Course: The Agony of It All, curated by Laura Dvorkin, at The Bunker Artspace, on December 2. Courtesy of the Beth Rudin DeWoody Collection.

Rya Kleinpeter and Tora Lopez at the Bunker Artspace


The two role-play Lucille Ball at Beth Rudin deWoody’s space

Friday, December 7th, 2018

A painting by David Bade, courtesy of Annelien Kers Gallery, Amsterdam. Details to follow

Scope Miami Beach 2018: David Bade at Annelien Kers


My first stop on the Miami art trail this year was the Scope Art Show. Booths felt cramped and the aisles were far too narrow, making it difficult to step far back enough to see the art on display. There was also too much posturing on politics, rather than thoughtful critique. Most of it —unluckily…

Wednesday, December 5th, 2018

Judy Chicago

Judy Chicago at the ICA


First report by Sharmistha Ray from Miami during Art Basel week

Tuesday, December 4th, 2018

Screen Shot 2018-12-04 at 4.17.16 PM

Otherworldly Objects: Ewelina Bochenska discusses her work with Natalie Sandstrom


2018 artcritical prize at the New York Studio School

Thursday, November 29th, 2018

Phyllida Barlow, untitled: pinkspree, 2018

Faye Hirsch, Robert C. Morgan and Sharmistha Ray join The Review Panel December 11


Brooklyn Public Library at Grand Army Plaza

Thursday, November 29th, 2018

86CB824D-CDFB-41E1-9ED0-C72A52FC17FD

Featured item from THE LIST: Gerard Mossé at Marlborough Gallery


If the opening scene from 2001: A Space Odyssey were painted by an Abstract Expressionist the result might resemble a Gerard Mossé with his typical hi-tech totem pulsating with ethereal, other worldly light. The North African-born New Yorker has a preternatural capacity to enlist color to the service of such electric glow one is tempted to check if…

Thursday, November 29th, 2018

Jeff Koons in a scene from The Price of Everything, the documentary under review

What “The Price of Everything” Says About The Value of Art


Nathaniel Kahn’s documentary on HBO

Thursday, November 29th, 2018

Helio Oiticica, Metaesquema 212, 1957. Gouache on board, 16.6 x 19.5 inches. Courtesy of Galerie Lelong & Co., New York

The Source of Growth and Change: Hélio Oiticica at Galerie Lelong


Early forays into abstraction by the Brazilian master

Thursday, November 29th, 2018

Installation shot, Stanley Whitney: In the Color, Lisson Gallery, New York, 2018 © Stanley Whitney; Courtesy Lisson Gallery

Where Color Takes Shape: Stanley Whitney at Lisson Gallery


His fourth show with the gallery, up through December 21