Features
 
Jessica Cheung, Self Portrait, from the Umbrella Revolution series, 2014, unfinished.
Statement of artist protester Jessica Cheung and comment by David Cohen ...
 
George Trakas, Times Plaza Tree, 2011. Pencil on vellum, 8.5 x 11 inches. Courtesy of the artist.
The renowned site-specific sculptor has been facing delays in the completion of his recent project at Atlantic Station. ...
 
George Sugarman, Yellow and White, 1967. Oil on Wood, in two parts, 25-1/2 x 35-1/2 x 27-1/2 each. © Estate of George Sugarman, courtesy Gary Snyder Gallery, New York
“Irving Sandler: Out of Tenth Street and Into the 1960s” is at Loretta Howard Gallery ...
 


Peter, Will and Todd (on lap) Barnet. Courtesy of Peter Barnet.

“He Still Draws Beautifully and Paints Every Day”: Will Barnet at 100


Painter Peter Barnet and law professor Todd Barnet talk about their father


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Picking Up the Pieces: Julie Heffernan’s Honest Pessimism


Her show opens September 3 at Catherine Clark Gallery, San Francisco


Francesca Woodman, Untitled, New York, 1979-1980. Gelatin silver print, 4 x 9-1/2 inches. Courtesy of George and Betty Woodman

Gorgeous Metamorphoses: Alexander McQueen and Francesca Woodman


More than goth aesthetics and youthful suicides unite the fashion designer and the photographer.


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“Artists who write write for a purpose”


Painter George Hofmann launches artcritical’s BOOKMARKED column, commenting on his favorite blogs


Diana Al-Hadid, Trace of a Fictional Third, 2011 [detail]. Steel, polymer gypsum, wood, fiberglass and paint, 120 x 240 x 156 inches. Courtesy Marianne Boesky Gallery, New York © Diana Al-Hadid. Photo: Jason Wyche

Ghost in the Machine: Diana Al-Hadid in Lost Paradise at Marianne Boesky


Part of a group show earlier this summer


Tony Robbin, 2004-4, 2004. Acrylic on canvas, 56 x 70 inches. Collection of the Artist

Pattern, Decoration and Tony Robbin


An exchange between fellow P&D artists from the catalog of Robbin’s Orlando Museum of Art retrospective


Amy Ellingson, Variation (yellow, with emblem), 2011. Oil and encaustic on panel, 40 x 40 inches. Courtesy of the artist and Von Lintel Gallery, NY

Driven to Abstraction, A Group Show at Von Lintel Gallery


Closing reception Thursday evening (July 28, 5-8pm) as part of Chelsea Art Walk 2011


Jane Fine, Battlefield IV, 2004, acrylic and ink on wood panel, 30 x 24 inches. ©2011 Tang Teaching Museum.

Jane Fine in MELT at the Tang


A striking work in the summer group show at  Skidmore’s teaching museum, up through September  18


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Within The Open Landscapes: Words for the Etchings of Jane Joseph


From Heller’s 2010 collection, Beckmann Variations & Other Poems.


Hilton Miller, Ireland, untitled landscape #17, 2005. Oil on board. 18 x 24 inches. . Courtesy of the Artist

“The Bewildering Multiplicity of Things Seen”: Landscape Paintings of Hilton Miller


The 80 year old artist received his debut in London earlier this year.  He is father of Irish painter Nick Miller, currently showing at the Concord Art Association