Features
 
Jessica Cheung, Self Portrait, from the Umbrella Revolution series, 2014, unfinished.
Statement of artist protester Jessica Cheung and comment by David Cohen ...
 
George Trakas, Times Plaza Tree, 2011. Pencil on vellum, 8.5 x 11 inches. Courtesy of the artist.
The renowned site-specific sculptor has been facing delays in the completion of his recent project at Atlantic Station. ...
 
George Sugarman, Yellow and White, 1967. Oil on Wood, in two parts, 25-1/2 x 35-1/2 x 27-1/2 each. © Estate of George Sugarman, courtesy Gary Snyder Gallery, New York
“Irving Sandler: Out of Tenth Street and Into the 1960s” is at Loretta Howard Gallery ...
 


Alain Kirili working on the installation of Résistance in Grenoble, France. Photo by Alain Chaudetto by Lucile Genoulaz

Résistance: Alain Kirili’s Monument in Grenoble


On the eve of its inauguration, the sculptor discusses his values and aspirations


Hope Gangloff, The Trouble with Paradise, 2009. Acrylic on canvas, 64 x 81 inches. Collection of Cynthia and Stuart Smith

The Aldrich at a Crossroads


Portraiture shows at the Aldrich occasion a portrait of the institution itself


Screen shot 2011-04-19 at 10.29.49 AM

The Mixologist: Peter Reginato at Heidi Cho


Peter Reginato’s gutsy, boisterous assemblages mate the mediums of sculpture and painting.  It would simply be insufficient to describe the components of his collages in steel as colorful.  Welded sculptural form becomes the unlikely support for what would anyway be a dense, involved composition were it contained within the politely conventional dimensions of a stretched…


Lynne Woods Turner, Untitled (9072), 2010. Oil on linen over panel, 10 x 8 inches. Courtesy of Danese

The Canon is Under Fire: What Press Releases Tell You, and What They Don’t


The abundance of self-anointed anti-establishment shows reminds us that nothing in the art world is sacred


inka-cover

The Magic of Twilight: Inka Essenhigh on Working Fast and Being Timeless


Monoprints at Pace Prints Chelsea through April 16. Talk with Alexi Worth at the Studio School Tuesday 29


Robert Rauschenberg, Short Circuit (Combine Painting), 1955. Oil, fabric and paper on wood supports and cabinet with two hinged doors containing a painting by Susan Weil and a reproduction of a Jasper Johns Flag painting by Elaine Sturtevant, 40-3/4 x 37-1/2 x 4-1/4 inches. Courtesy of Gagosian Gallery

Too absorbed by the future to bother about the past: Robert Rauschenberg


If Johns is our Mallarmé, Rauschenberg is our Walt Whitman.


Gina Werfel, Collision, 2010. Oil on canvas, 60 x 60 inches. Courtesy of the Artist

Gina Werfel’s Persistence of Vision


2011 essay reposted with new show of paintings at Prince Street Gallery


rmcover-gloria

“Like Renoir, he doesn’t only paint with his brush”: Raoul Middleman’s Baltimore Babes


Exhibition at Kouros Gallery runs through April 2.


Frick_BumpyWorld_tight

Sleep Patterns: Laurie Frick in LA


at Edward Cella Art + Architecture through  April 2.


sonnemandetail

Stereo Cropdusting: Eve Sonneman at Nohra Haime


Works of the 1970s, on view through March 12