Features
 
Koons’s retrospective at the Whitney Museum of American Art continues through October 19. ...
 
David Lynch, Espresso Table, 1988. Birch plywood, steel, steel wire with turnbuckle, 18 x 13 x 13 inches. Courtesy of the artist and Room East.
Who knew David Lynch also designs furniture? ...
 
Andy Warhol, Nelson Rockefeller, 1967. Acrylic and silkscreen on canvas, 75 x 56 x 1 1/4 inches. Copyright The Andy Warhol Foundation, courtesy of The Queens Museum.
The Queens Museum untangles the outrage and hypocrisy around Warhol’s commission at the 1964 World’s Fair. ...
 


John Giorno, Just Say No To Family Values, 2009. Oil on canvas, 12 x 12 inches. Courtesy of Nicole Klagsbrun Gallery

Twister: John Giorno at Nicole Klagsbrun


In his debut art show the septuagenerian poet shows wittily and nihilistically twisted truisms


Alex Katz, Anna Wintour, 2009. Oil on canvas, 60 x 84 inches. Courtesy Timothy Taylor Gallery

Warm for Wintour: Alex Katz at the National Portrait Gallery


“September Issue” star Anna Wintour is coaxed into shedding her trademark shades


Suzan Frecon, embodiment of red (soforouge), 2009. Oil on linen, two panels, each 54 x 87-1/2 inches. Courtesy of David Zwirner Gallery

Seeing Red


Suzan Frecon, currently showing works on paper at David Zwirner, was reviewed at the 2010 Whitney Biennial,


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Cry Stall Gaze: A Collaboration with Pat Steir


Poem and artwork unfold as twin scrolls.


Johannes Vermeer, The Milkmaid (about 1657–58). Oil on canvas, 17-7/8 x 16-1/8 inches. Rijksmuseum, Amsterdam, Purchase, 1908, with aid from the Rembrandt Society

The Visitor: Vermeer’s Milkmaid at the Met


September 10 to November 29, 2009


Mezzetin (Mezetin) 1717-19 . Oil on canvas; 21-3/4 x 17 inches. The Metropolitan Museum of Art, New York, Munsey Fund, 1934 (34.138)

The Roofer’s Son: Watteau at the Met


I don’t know how one can love Watteau without somehow making him one’s contemporary.


John Currin. The Hobo, 1999. Oil on canvas, 40 x 32 in. Collection of the Museum of Contemporary Art San Diego, Museum purchase, Contemporary Collectors Fund. Photographer: Pablo Mason.

Paint Made Flesh at the Phillips Collection


Paint Made Flesh at the Phillips Collection, and other shows this summer, reveal a love affair between a material painters use and the material all of us are.


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Alcuni Telefonini: A Collaboration with Francesco Clemente


Features the poems “Bricks,” “Back,” and “Breath”


Friedel Dzubas, Friedel Dzubas, Bornholm, 1978. Acrylic on canvas, 37 x 76 inches. Courtesy of Elaine Baker Gallery for Samuel Minzberg

Multireferential Imagery


This essay is an extract from A Memoir of Creativity: abstract painting, politics and the media, 1956-2008 published by iUniverse, 2009. The book unites art theory, politics, journalism and personal memoir. At its heart lies the author’s theory of abstract art, that instead of being non-representational, it constitutes a “multireferential” form of representation.


Gustave Caillebotte, The Floor Scrapers, 1876. Oil on canvas, 31-1/2 x 39-3/8 inches. Private collection

Gustave Caillebotte at the Brooklyn Museum


GUSTAVE CAILLEBOTTE AT THE BROOKLYN MUSEUM