Features
 
Jessica Cheung, Self Portrait, from the Umbrella Revolution series, 2014, unfinished.
Statement of artist protester Jessica Cheung and comment by David Cohen ...
 
George Trakas, Times Plaza Tree, 2011. Pencil on vellum, 8.5 x 11 inches. Courtesy of the artist.
The renowned site-specific sculptor has been facing delays in the completion of his recent project at Atlantic Station. ...
 
George Sugarman, Yellow and White, 1967. Oil on Wood, in two parts, 25-1/2 x 35-1/2 x 27-1/2 each. © Estate of George Sugarman, courtesy Gary Snyder Gallery, New York
“Irving Sandler: Out of Tenth Street and Into the 1960s” is at Loretta Howard Gallery ...
 


Sandi Slone, The Buxom Eye, 2009. Oil, acrylic on canvas, 20 x 66 inches. Courtesy of the Artist

The Buxom Eye of Sandi Slone


Essay from the artist’s exhibition at Elizabeth Leach Gallery, Portland, Oregon, October 7 to 30, 2010


Rose Wylie, DOT and Detail, 2004, left panel. Oil on canvas, 74 x 144 inches. Courtesy of Thomas Erben Gallery New York

Rose Wylie Packs a Punch at Thomas Erben


Nuance where you least expect it in canvases of rambunctious, street-smart brutalism


Annabeth Rosen, Ztheo, 2009. Ceramic, bailing wire, steel plate and neoprene casters, 58-1/2 x 33 x 26 inches. Courtesy of Meulensteen

Gorgon Triffids on 22nd Street: Annabeth Rosen at Meulensteen


Belated New York solo debut of renowned ceramic sculptor


a volcanic exhibition catalog: photograph by Joe Fyfe of a work by Roman Signer on view in his home, St Gallen, Switzerland, 2007

The Smell of Gunpowder: A visit with Roman Signer


Signer is a subject of this Friday’s Review Panel and a show at the Swiss Institute


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Time out of Mind: On Deborah Garwood’s Evans Pond


Garwood’s Evans Pond series showed at the Fundación Antonio Pérez, Cuenca, Spain this summer


Laura Newman, Rorschach, 2012. Oil and acrylic on canvas, 24 x 32 inches. Courtesy of Jen Bekman Gallery

Never Trust a Laura Newman Vertical


Laura Newman: Recent Paintings is at Jen Bekman through October 14th


Charles Burchfield, An April Mood, 1946–1955, Watercolor and charcoal on joined paper, 40 × 54 inches, Courtesy Whitney Museum of American Art, Purchase, with partial funds from Mr. and Mrs. Lawrence A. Fleischman

A current of his own: Charles Burchfield at the Whitney


Heatwaves in a Swamp: The Paintings of Charles Burchfield is at the Whitney until October 17


Rug by James Siena, Courtesy of BravinLee Programs

Where contemporary art can get knotted: Kathmandu


BravinLee Programs presents hand-knotted rugs by Nina Bovasso, Peter Halley, James Siena, and James Welling


Michael Craig-Martin, An Oak Tree, 1973. Glass, water, shelf and printed text, dimensions vary. Private Collection

The Arts Died with Dada: Roy Harris and the Great Debate About Art


In depth review of the semiotician’s pointed pamphlet on the end of art criticism


Rogert Fenton, The Third Graeco-Roman Saloon on Artists' Day, c. 1857. Albumen print, 10 5/16 x 11 9/16 inches. The Royal Photographic Society Collection at the National Media Museum, Bradford. Purchased with the assistance of The Art Fund

What you bump into when you stand back from a photograph


The Original Copy: Photography of Sculpture, 1839 to Today at the Museum of Modern Art, through November 1