Features
Tuesday, August 25th, 2015
 
eye
Paul Maziar goes wandering through his bookmarks and finds unexpected poetic connections. ...
Friday, August 14th, 2015
 
Justin Randolph Thompson, “Moldy Figs,” (detail) 2015. Video still by Bradly Dever Treadaway.
The multimedia artist’s research-based work ranges from Brooklyn to Italy and more. ...
Wednesday, August 12th, 2015
 
Andrew Forge, Willow, 1999. Oil on canvas, 42 x 44 inches. Courtesy of Betty Cuningham Gallery
Parallel qualities in painter and composer sustain a connection between the two ...
 

Sunday, June 12th, 2011

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A Feast for the Eyes (and Mouth): Malado Baldwin at Nolita Open House, plus Hummus


A one day show offered short viewing hours but a long view of the paintings

Thursday, June 9th, 2011

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Before You Go: With Drawings by Susan Bee, Dedicated to Emma Bee Bernstein


A collaboration in artcritical’s Poetry for Art series

Monday, June 6th, 2011

Frank Stella, right, and Kenneth Tyler at work on a print. Courtesy of Kenneth Tyler

Betting the Farm on His Art: A Salute to Frank Stella by a Longtime Collaborator


Master printmaker Kenneth Tyler has worked with Frank Stella for 35 years

Monday, May 30th, 2011

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The Art of Simon Dinnerstein


His exhibition at the German Consulate General opens June 16

Sunday, May 8th, 2011

Alain Kirili working on the installation of Résistance in Grenoble, France. Photo by Alain Chaudetto by Lucile Genoulaz

Résistance: Alain Kirili’s Monument in Grenoble


On the eve of its inauguration, the sculptor discusses his values and aspirations

Thursday, May 5th, 2011

Hope Gangloff, The Trouble with Paradise, 2009. Acrylic on canvas, 64 x 81 inches. Collection of Cynthia and Stuart Smith

The Aldrich at a Crossroads


Portraiture shows at the Aldrich occasion a portrait of the institution itself

Tuesday, April 19th, 2011

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The Mixologist: Peter Reginato at Heidi Cho


Peter Reginato’s gutsy, boisterous assemblages mate the mediums of sculpture and painting.  It would simply be insufficient to describe the components of his collages in steel as colorful.  Welded sculptural form becomes the unlikely support for what would anyway be a dense, involved composition were it contained within the politely conventional dimensions of a stretched…

Saturday, April 16th, 2011

Lynne Woods Turner, Untitled (9072), 2010. Oil on linen over panel, 10 x 8 inches. Courtesy of Danese

The Canon is Under Fire: What Press Releases Tell You, and What They Don’t


The abundance of self-anointed anti-establishment shows reminds us that nothing in the art world is sacred

Saturday, March 26th, 2011

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The Magic of Twilight: Inka Essenhigh on Working Fast and Being Timeless


Monoprints at Pace Prints Chelsea through April 16. Talk with Alexi Worth at the Studio School Tuesday 29

Wednesday, March 23rd, 2011

Robert Rauschenberg, Short Circuit (Combine Painting), 1955. Oil, fabric and paper on wood supports and cabinet with two hinged doors containing a painting by Susan Weil and a reproduction of a Jasper Johns Flag painting by Elaine Sturtevant, 40-3/4 x 37-1/2 x 4-1/4 inches. Courtesy of Gagosian Gallery

Too absorbed by the future to bother about the past: Robert Rauschenberg


If Johns is our Mallarmé, Rauschenberg is our Walt Whitman.