Features
Sunday, October 5th, 2014
 
Jessica Cheung, Self Portrait, from the Umbrella Revolution series, 2014, unfinished.
Statement of artist protester Jessica Cheung and comment by David Cohen ...
Thursday, September 18th, 2014
 
George Trakas, Times Plaza Tree, 2011. Pencil on vellum, 8.5 x 11 inches. Courtesy of the artist.
The renowned site-specific sculptor has been facing delays in the completion of his recent project at Atlantic Station. ...
Friday, September 12th, 2014
 
George Sugarman, Yellow and White, 1967. Oil on Wood, in two parts, 25-1/2 x 35-1/2 x 27-1/2 each. © Estate of George Sugarman, courtesy Gary Snyder Gallery, New York
“Irving Sandler: Out of Tenth Street and Into the 1960s” is at Loretta Howard Gallery ...
 

Wednesday, September 22nd, 2010

a volcanic exhibition catalog: photograph by Joe Fyfe of a work by Roman Signer on view in his home, St Gallen, Switzerland, 2007

The Smell of Gunpowder: A visit with Roman Signer


Signer is a subject of this Friday’s Review Panel and a show at the Swiss Institute

Wednesday, September 22nd, 2010

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Time out of Mind: On Deborah Garwood’s Evans Pond


Garwood’s Evans Pond series showed at the Fundación Antonio Pérez, Cuenca, Spain this summer

Saturday, September 4th, 2010

Laura Newman, Rorschach, 2012. Oil and acrylic on canvas, 24 x 32 inches. Courtesy of Jen Bekman Gallery

Never Trust a Laura Newman Vertical


Laura Newman: Recent Paintings is at Jen Bekman through October 14th

Friday, September 3rd, 2010

Charles Burchfield, An April Mood, 1946–1955, Watercolor and charcoal on joined paper, 40 × 54 inches, Courtesy Whitney Museum of American Art, Purchase, with partial funds from Mr. and Mrs. Lawrence A. Fleischman

A current of his own: Charles Burchfield at the Whitney


Heatwaves in a Swamp: The Paintings of Charles Burchfield is at the Whitney until October 17

Monday, August 23rd, 2010

Rug by James Siena, Courtesy of BravinLee Programs

Where contemporary art can get knotted: Kathmandu


BravinLee Programs presents hand-knotted rugs by Nina Bovasso, Peter Halley, James Siena, and James Welling

Tuesday, August 17th, 2010

Michael Craig-Martin, An Oak Tree, 1973. Glass, water, shelf and printed text, dimensions vary. Private Collection

The Arts Died with Dada: Roy Harris and the Great Debate About Art


In depth review of the semiotician’s pointed pamphlet on the end of art criticism

Thursday, July 29th, 2010

Rogert Fenton, The Third Graeco-Roman Saloon on Artists' Day, c. 1857. Albumen print, 10 5/16 x 11 9/16 inches. The Royal Photographic Society Collection at the National Media Museum, Bradford. Purchased with the assistance of The Art Fund

What you bump into when you stand back from a photograph


The Original Copy: Photography of Sculpture, 1839 to Today at the Museum of Modern Art, through November 1

Sunday, July 18th, 2010

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Terrestial Breezes and Solar Winds: A studio visit with Roberto Juarez


A TOPICAL PICK FROM THE ARCHIVES: 2010 Studio Visit marks residency/show at La Galleria La Mama

Sunday, July 4th, 2010

Joe Fyfe, After Corot, 2007. Felt, cotton and jute, 54 x 64 inches. Courtesy of Cheim & Read Gallery

Orgy in the Raw: Joe Fyfe’s “Le Tableau” at Cheim & Read


A geographically and historically wide-angled summer group exhibition.

Tuesday, June 22nd, 2010

James Hyde, Big Sample (Davis), 2006. Acrylic sign painter's enamel on vinyl digital print (stretched), 112 x 150 inches. Courtesy of Pierogi 2000

Billboard Syncopations: James Hyde at the Boiler Room (Pierogi 2000)


The Stuart Davis Group are high jinks riffs on that jazzy pioneer’s painterly syncopations.