Features the poems “Bricks,” “Back,” and “Breath”
This essay is an extract from A Memoir of Creativity: abstract painting, politics and the media, 1956-2008 published by iUniverse, 2009. The book unites art theory, politics, journalism and personal memoir. At its heart lies the author’s theory of abstract art, that instead of being non-representational, it constitutes a “multireferential” form of representation.
GUSTAVE CAILLEBOTTE AT THE BROOKLYN MUSEUM
Professor Sandler locates the aesthetics and values of the New York School within the context of the postwar milieu.
Bill Berkson’s 1982 translation of Dante revised in 2009 and coupled with paintings by Oona Ratcliffe