Features
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Thursday, April 26th, 2012

Suzanne Anker, Astroculture (Shelf Life), 2009. Inkjet print, 24 x 36 inches, from a set of 21. Courtesy of the Artist

Spilling Out of the Laboratory: A Conversation with Suzanne Anker


Neuroscience informs her work as artist and curator

Monday, April 16th, 2012

Catherine Howe, Night Painting (Bluestocking), 2012. Oil and beeswax on canvas, 50 x 60 inches. Courtesy of Von Lintel Gallery

Catherine Howe at Von Lintel Gallery


Still Life as Action Painting

Sunday, April 1st, 2012

Jack Bush, Sing Sing Sing, 1974. Acrylic on canvas, 68 x 114-3/4 inches. Courtesy of FreedmanArt

Jack Bush at FreedmanArt


Images that balance chromatic vibrancy and earthiness.  DEBATE: Comments from Karen Wilkin and Piri Halasz

Sunday, March 25th, 2012

Screen Shot 2012-03-25 at 10.41.55 AM

Eve Sonneman at Nohra Haime Gallery


Her diptych photographs and a selection of paintings are on view through April 28

Sunday, March 11th, 2012

Lucas Samaras in Claes Oldenburg’s Circus: Ironworks/Fotodeath at the Reuben Gallery, February 1961. © Robert R. McElroy/Licensed by VAGA, New York, New York

Shooting a Revolution: Robert R. McElroy, Photographer of the Happenings


As this landmark show enters its last week at Pace Gallery, a profile of the man behind the camera

Sunday, February 26th, 2012

Mary Corse, Untitled, 2011. Glass microspheres in acrylic on canvas, 114 x 90 inches. Photo Courtesy of Ace Gallery

See First, Think Later: The Art of Doug Wheeler and Mary Corse


The psychology behind Light and Space art and how it sensitizes us to subtleties

Thursday, February 23rd, 2012

Sharon Yaari, Jerusalem Blvd., 2009. Inkjet, 27-3/16 x 32-1/16 inches. Courtesy of Bruce Silverstein

Sharon Yaari at the Silverstein Annual


On view through February 25

Friday, February 10th, 2012

Joyce Pensato

Batman Returns: Joyce Pensato introduces color and studio detritus at Friedrich Petzel


Here show will be discussed by The Review Panel, February 24

Wednesday, January 18th, 2012

Rupert Goldsworthy, As the Veneer of Democracy Starts to Fade, 2011.acrylic and Flasche on wood, 24 x 36 inches. Courtesy of Rupert Goldsworthy*

A Success on His Own Terms: A Studio Visit with Rupert Goldsworthy


An interview between Sharon Ma and artist Rupert Goldsworthy

Saturday, December 24th, 2011

Harry Roseman: Enfold, a site specific drawing installation, at Nancy Margolis Gallery, New York City, December 8, 2011 to January 14, 2012. Courtesy of Nancy Margolis Gallery

The Curtain Man: Harry Roseman at Nancy Margolis


His installation, titled “Enfold”, is up through January 14