Features
 
Jessica Cheung, Self Portrait, from the Umbrella Revolution series, 2014, unfinished.
Statement of artist protester Jessica Cheung and comment by David Cohen ...
 
George Trakas, Times Plaza Tree, 2011. Pencil on vellum, 8.5 x 11 inches. Courtesy of the artist.
The renowned site-specific sculptor has been facing delays in the completion of his recent project at Atlantic Station. ...
 
George Sugarman, Yellow and White, 1967. Oil on Wood, in two parts, 25-1/2 x 35-1/2 x 27-1/2 each. © Estate of George Sugarman, courtesy Gary Snyder Gallery, New York
“Irving Sandler: Out of Tenth Street and Into the 1960s” is at Loretta Howard Gallery ...
 


Dannielle Tegeder, Ondam: Hollow Green Gray Velocity Transmitter with Tunnel Routes and Stations with Pipe Chrysalis Headquarters City Plan with Safety Routes in Snow Green with Developments Contraption and Triangle Headquarters with Complete Love Algorithm and Magnetic Diagram for Beauty with Methods and Analysis with Tower Manifesto and Ecstatic White Metallic Mine Tunnels and Pantone Structure with Yellow Categories?with Luminous Connectors and Lemon Elevator Structures, 2013. Acrylic, ink, and colored pencil?on wall, 18 ft. x 82 ft. 8 inches. Courtesy of the artist?

Turning Reductivism Inside Out: Dannielle Tegeder and the Art of Incompletion


Excerpted from monograph on her work published by Hamilton College


Noah Dillon's downtime offline. Photograph © 2014 by Daniel Herr.

This Project is Experiencing Some Delays: Noah Dillon’s Deferred Reading List


Associate editor Noah Dillon shares some of the things he hasn’t yet made time to read.


Harun Farocki: 1944-2014

Harun Farocki: 1944-2014


A tribute to the influential and humane filmmaker, who died on July 30.


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Ohad Meromi: Worker! Smoker! Actor! at Nathalie Karg


Ohad Meromi’s exhibition at Nathalie Karg continues through August 15.


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David Lynch in “Abnormcore” at Room East


Who knew David Lynch also designs furniture?


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Wanted but Undesired: Andy Warhol at the 1964 World’s Fair


The Queens Museum untangles the outrage and hypocrisy around Warhol’s commission at the 1964 World’s Fair.


Superflex, still from Burning Car, 2008. Digital video, runtime: 11 minutes. Courtesy of Superflex.

Superflex in “Bloodflames Revisited” at Paul Kasmin


This simple study of fire destroying a Mercedes is mesmerizing and scary.


Sigmar Polke, German, 1941–2010, Negative Value II (Mizar) (Negativwert II (Mizar)), 1982, Dispersion paint, resin, and pigment on canvas, 103 1/8 × 79 1/8? (262 × 201 cm), Private Collection. Photo: Alistair Overbruck, © 2014 Estate of Sigmar Polke/ Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

A Critics’ Roundtable on Sigmar Polke at MoMA


with Eric Gelber, Suzanne Joelson, Drew Lowenstein and Saul Ostrow


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“A Dialogue with Nature” at the Morgan Library


“A Dialogue with Nature: Romantic Landscapes from Britain and Germany” at the Morgan Library.


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Kristan Kennedy at Soloway


“All the paintings have been made, even the embarrassing ones.”