Features
 
Excerpted from monograph on her work published by Hamilton College ...
 
Thomas Hirschhorn, Gramsci Monument, 2013, Forest Houses, Bronx, New York. Courtesy Dia Art Foundation. Photo: Romain Lopez.
…It made me proud to be an artist and a New Yorker ...
 
Ohad Meromi, still from Worker! Actor! Smoker!, 2010-13. Single-channel video, 20:36 minutes. Courtesy of the artist, Galerie Triple V, and Nathalie Karg.
Ohad Meromi’s exhibition at Nathalie Karg continues through August 15. ...
 


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R.B. Kitaj


Renewal and Resistance “Where are all the beautiful women?” a lady asks R.B. Kitaj during the packed opening of his recent show at L.A. Louver, a leading gallery in Venice, California. “What?”, he replies, incredulously. Mr. Kitaj has battled deafness for many years, but even so would have had difficulty comprehending this question. The lady…


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Ashik Mene and Rino Stephani


Ashik Mene, a Turkish Cypriot artist living in the north part of Nicosia, was welcoming and unsurprised when he heard American English on his mobile phone. In a typically Cypriot way, word had already arrived that a foreign artist wanted to speak with him. It happened when he was waiting at the border crossing from…


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Melissa Meyer


Melissa Meyer is big in Japan. Not in the euphemistic sense applied to rock stars, but literally. She has just completed her largest paintings to date there. Tokyo’s newest skyscraper, the Shiodome City Center, designed by Kevin Roche, John Dinkeloo, and Associates, is also, at 43 floors, the tallest. Ms. Meyer has created a pair…


Joan Miró Untitled Drawing February 1, 1965. Ballpoint pen on paper, 7 7/8 x 5 7/8 inches, Collection of the Fundació Pilar i Joan Miró, Mallorca

Joan Miró: The Semiotics of Desire


The Shape of Color: Joan Miró Painted Sculpture
Corcoran Gallery of Art, Washington DC, September 21, 2002-January 6, 2003; Salvador Dali Museum, St. Petersburg, Florida, February 1-May 4, 2003. Catalogue by Laura Coyle, William Jeffett, Joan Punyet Miró, published by Scala and Corcoran


Elizabeth Peyton, Paradis (Kirsty), 2001. Oil on boar,d 40 x 30 inches, courtesy Gavin Brown's Enterprise, Corp.

John Currin


Yale professors are telling their students that John Currin paints as well as Botticelli. I heard this yesterday from a young painter who was sent my way for career advice. Yale has probably the most illustrious art school in America. Its alumni litter the firmament; Currin (who was born in 1962 and is the hottest ticket this season) is only the most recent ascendant star.


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David Brody


You have said that your paintings are “family disputes between order and derangement.” Can you talk about that? That’s just a metaphor that came to me; it doesn’t reveal itself in the final product in a literal way. It’s something that happens in my brain, the working out of the painting process. And I guess…


Sergei Bugaev, still from "Stalker 3", courtesy I-20 Gallery

Those that sleep in the dust


Ethical issues surrounding the depiction of death in art, considering Stalker 3, the recent video installation by Sergei Bugaev, aka Afrika, at I-20 Gallery.
November 2 – December 14, 2002


James Siena, Lattice Painting (Red), 2000-2001. Enamel on aluminum, 29 1/16 x 22 11/16 inches, courtesy of Gorney Bravin & Lee

Thank Heaven for Little Pictures


Alex Katz’s Small Paintings at the Whitney, Woodcuts and Linocuts at Peter Blum, Thomas Nozkowski at Max Protetch, James Siena at Gorney Bravin & Lee, Elizabeth Peyton at Gavin Brown’s Enterprise