Features
 
Jessica Cheung, Self Portrait, from the Umbrella Revolution series, 2014, unfinished.
Statement of artist protester Jessica Cheung and comment by David Cohen ...
 
George Trakas, Times Plaza Tree, 2011. Pencil on vellum, 8.5 x 11 inches. Courtesy of the artist.
The renowned site-specific sculptor has been facing delays in the completion of his recent project at Atlantic Station. ...
 
George Sugarman, Yellow and White, 1967. Oil on Wood, in two parts, 25-1/2 x 35-1/2 x 27-1/2 each. © Estate of George Sugarman, courtesy Gary Snyder Gallery, New York
“Irving Sandler: Out of Tenth Street and Into the 1960s” is at Loretta Howard Gallery ...
 


Polly Apfelbaum, installation, For the Love of Gene Davis, 2014, Temple Contemporary, Tyler School of Art, Temple University. Courtesy of the Artist

Polly’s Pathway: Polly Apfelbaum and Friends at Tyler and Clifton Benevento


In 1972 Color Field painter Gene Davis created what was billed as the world’s largest painting, “Franklin’s Footpath,” a “ground” mural that stretched along an expanse of the Benjamin Franklin Parkway sweeping up to the monumental steps of the Philadelphia Museum of Art.  Sponsored by the museum’s Department of Urban Outreach, this outlandish project had…


Clint Jukkala, Telepath, 2014. Oil on canvas, 44 x 50 inches. Courtesy of BravinLee programs.

Clint Jukkala: Cosmic Trigger at BravinLee programs


Matisse via Color Field abstraction, flower power iconography and Alfred Jensen


Alan Prazniak, Lullaby Bog, 2014. Oil on linen, 46 x 52 inches. Courtesy of the Artist

Rays of Light Through Fast Rolling Cloud: SUPER FOG in NoHo


A pop-up show, worth catching in its one day run


A recent meeting of the Breakfast group, Berkeley, California

The Breakfast Group: Exhibition at Richmond Art Center Toasts Bay Area Institution


Informal cafe society has met Friday mornings for half a century


Carin Riley, Knarr, 2014, Watercolor on paper, 20 X 28 inches. Courtesy of the artist.

Myths, Mosaics and Ink Drawing: A Studio Visit with Carin Riley


Riley’s show at the Queens College Art Center is up thru May 9


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A Fleeting Moment on the J Train: Robert Janitz on his recent work


“I used to be obsessed with the idea that the paintings only show you their backside, as if the real painting’s on the other side”


Walter Darby Bannard, Pakistani, 1978. Acrylic on canvas, 33¾ x 62 inches. Photo courtesy Berry Campbell, New York NY

Walter Darby Bannard: Dragon Water at Berry Campbell Gallery


And other modernists who kept creative after modernism’s big moment


Clive Hodgson, Untitled, 2010. Oil on canvas, 16 x 12 inches. Courtesy of the Artist and White Columns

“Coming Apart as Much as Coming Together”: A Conversation with Clive Hodgson


His debut US show opened at White Columns this week


Installation shot, Daniel Levine: The Way Around, at Churner and Churner Gallery, New York

“Some of the paintings are smarter than me”: Daniel Levine Talks Monochrome


On view at Churner and Churner through February 22


Christopher Wool Untitled, 2001 Silkscreen ink on linen, 228.6 x 152.4 cm © Christopher Wool

A Critics’ Roundtable on Christopher Wool at the Guggenheim


Four writers share their thoughts on the painter’s retrospective