Features
 
Jessica Cheung, Self Portrait, from the Umbrella Revolution series, 2014, unfinished.
Statement of artist protester Jessica Cheung and comment by David Cohen ...
 
George Trakas, Times Plaza Tree, 2011. Pencil on vellum, 8.5 x 11 inches. Courtesy of the artist.
The renowned site-specific sculptor has been facing delays in the completion of his recent project at Atlantic Station. ...
 
George Sugarman, Yellow and White, 1967. Oil on Wood, in two parts, 25-1/2 x 35-1/2 x 27-1/2 each. © Estate of George Sugarman, courtesy Gary Snyder Gallery, New York
“Irving Sandler: Out of Tenth Street and Into the 1960s” is at Loretta Howard Gallery ...
 


Photograph by Dennis Kardon of a detail of Balthus, Thérèse Dreaming,1938. Oil on canvas, 59 x 51 inches. The Metropolitan Museum of Art, Jacques and Natasha Gelman Collection, 1998 © Balthus

Cats and Girls: artcritical’s Roundtable on Balthus at the Met


with Duncan Hannah, Dennis Kardon, David Carbone, Christina Kee, Vincent Katz, Nora Griffin


Will Cotton, Cupcake Papers, 2013. 2 color lithograph with hand-coloring on handmade paper, 26 x 20 1/2 inches, edition of 25. Courtesy of Pace Editions, Inc

Come Like Shadows


The first in a new series at artcritical where curators present their projects


David Hockney, A Bigger Message, 2010. Oil on 30 canvases, 36 x 48 inches each, 180 x 288 inches overall. © 2013 David Hockney. Photo: Richard Schmidt

David Hockney: A Bigger Vision


An artist of unflagging curiosity about picture-making and relentless rhythm of production


Katherine Bradford, Ship With 5 Moons, 2012-13. Oil on canvas, 61 x 69 inches. Courtesy of the Artist

Coming Together: Surviving Sandy in Sunset Park


brainchild of Brooklyn’s living treasure, Phong Bui


John Dubrow, Family Portrait, Upper West Side, 2010-11. Oil on linen, 50 x 66 inches. Courtesy of Lori Bookstein Fine Art

“Curating for the Kids”: Artist Jill Nathanson makes the case for real collectors


On Collectors Who Look (and Think) for Themselves


Thomas Hirschhorn, Gramsci Monument, 2013, Gramsci Archive and Library, Forest Houses, Bronx, New York. Courtesy Dia Art Foundation. Photo: Romain Lopez.

Not on the High Line: Scenes from the Gramsci Monument


…It made me proud to be an artist and a New Yorker


René Magritte, Time Transfixed, 1938. Oil on canvas, 57-7/8 x 38-7/8 inches. Art Institute of Chicago. © 2013 C. Herscovici, Brussels / Artists Rights Society (ARS), New York

“Freeze!”: René Magritte and the Visual Oxymoron


Decades since Surrealism erupted on the horizon, his defamiliarized commonplace forms can still induce vertigo


Julia Benjamin, Untitled, 2013, oil on canvas, 42 x 52 inches. Courtesy of the artist and National Exemplar.

Gladys Nilsson / Julia Benjamin at National Exemplar


A fresh take on Surrealism in abstraction and figuration


Honore Daumier, Galerie Tableaux. Image taken from Wikimedia Commons, the free media repository.

A Gallerist is [please fill in the blank]


What differentiates a “gallerist” from a dealer or a curator?


David Plante at home in London

“A Bright Globe of Everything”: Extracts from “Becoming A Londoner”


Author reads from first volume of diaries at New York Public Library this Tuesday