Features
 
Jessica Cheung, Self Portrait, from the Umbrella Revolution series, 2014, unfinished.
Statement of artist protester Jessica Cheung and comment by David Cohen ...
 
George Trakas, Times Plaza Tree, 2011. Pencil on vellum, 8.5 x 11 inches. Courtesy of the artist.
The renowned site-specific sculptor has been facing delays in the completion of his recent project at Atlantic Station. ...
 
George Sugarman, Yellow and White, 1967. Oil on Wood, in two parts, 25-1/2 x 35-1/2 x 27-1/2 each. © Estate of George Sugarman, courtesy Gary Snyder Gallery, New York
“Irving Sandler: Out of Tenth Street and Into the 1960s” is at Loretta Howard Gallery ...
 


John Dubrow, Family Portrait, Upper West Side, 2010-11. Oil on linen, 50 x 66 inches. Courtesy of Lori Bookstein Fine Art

“Curating for the Kids”: Artist Jill Nathanson makes the case for real collectors


On Collectors Who Look (and Think) for Themselves


Thomas Hirschhorn, Gramsci Monument, 2013, Gramsci Archive and Library, Forest Houses, Bronx, New York. Courtesy Dia Art Foundation. Photo: Romain Lopez.

Not on the High Line: Scenes from the Gramsci Monument


…It made me proud to be an artist and a New Yorker


René Magritte, Time Transfixed, 1938. Oil on canvas, 57-7/8 x 38-7/8 inches. Art Institute of Chicago. © 2013 C. Herscovici, Brussels / Artists Rights Society (ARS), New York

“Freeze!”: René Magritte and the Visual Oxymoron


Decades since Surrealism erupted on the horizon, his defamiliarized commonplace forms can still induce vertigo


Julia Benjamin, Untitled, 2013, oil on canvas, 42 x 52 inches. Courtesy of the artist and National Exemplar.

Gladys Nilsson / Julia Benjamin at National Exemplar


A fresh take on Surrealism in abstraction and figuration


Honore Daumier, Galerie Tableaux. Image taken from Wikimedia Commons, the free media repository.

A Gallerist is [please fill in the blank]


What differentiates a “gallerist” from a dealer or a curator?


David Plante at home in London

“A Bright Globe of Everything”: Extracts from “Becoming A Londoner”


Author reads from first volume of diaries at New York Public Library this Tuesday


Ron Gorchov, Raven's Wing, 2013, Watercolor on paper, 14 x 11.5 inches. Courtesy of Cheim & Read.

Ron Gorchov Watercolors at Lesley Heller


On view on the Lower East Side through October 13.


image search for Aaah

The Geeky Singularity is Near: Carla Gannis Shares Her Bookmarks


On the eve of her show with poet Justin Petropoulos at Transfer Gallery, Brooklyn


Olausen, credit line and permission TK

The Real Thing: An Interview with Rosalind E. Krauss


“A medium is a little bit like a language—you can’t just speak it once, it is repeated”


Heide Hatry, Parvolae partes ventris tauri, linguae anitum, 2009. Ciba Chrome Print . Courtesy of the Artist

The Vagina is Not a Flower Anymore: Heide Hatry’s Meat Flowers


The vagina is not a flower anymore. Or rather, “the vagina is a flower” is no longer a workable metaphor.