Features
 
Thomas Hirschhorn, Gramsci Monument, 2013, Forest Houses, Bronx, New York. Courtesy Dia Art Foundation. Photo: Romain Lopez.
…It made me proud to be an artist and a New Yorker ...
 
A fresh take on Surrealism in abstraction and figuration ...
 
Honore Daumier, Galerie Tableaux. Image taken from Wikimedia Commons, the free media repository.
What differentiates a “gallerist” from a dealer or a curator? ...
 


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Within The Open Landscapes: Words for the Etchings of Jane Joseph


From Heller’s 2010 collection, Beckmann Variations & Other Poems.


Hilton Miller, Ireland, untitled landscape #17, 2005. Oil on board. 18 x 24 inches. . Courtesy of the Artist

“The Bewildering Multiplicity of Things Seen”: Landscape Paintings of Hilton Miller


The 80 year old artist received his debut in London earlier this year.  He is father of Irish painter Nick Miller, currently showing at the Concord Art Association


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A Feast for the Eyes (and Mouth): Malado Baldwin at Nolita Open House, plus Hummus


A one day show offered short viewing hours but a long view of the paintings


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Before You Go: With Drawings by Susan Bee, Dedicated to Emma Bee Bernstein


A collaboration in artcritical’s Poetry for Art series


Frank Stella, right, and Kenneth Tyler at work on a print. Courtesy of Kenneth Tyler

Betting the Farm on His Art: A Salute to Frank Stella by a Longtime Collaborator


Master printmaker Kenneth Tyler has worked with Frank Stella for 35 years


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The Art of Simon Dinnerstein


His exhibition at the German Consulate General opens June 16


Alain Kirili working on the installation of Résistance in Grenoble, France. Photo by Alain Chaudetto by Lucile Genoulaz

Résistance: Alain Kirili’s Monument in Grenoble


On the eve of its inauguration, the sculptor discusses his values and aspirations


Hope Gangloff, The Trouble with Paradise, 2009. Acrylic on canvas, 64 x 81 inches. Collection of Cynthia and Stuart Smith

The Aldrich at a Crossroads


Portraiture shows at the Aldrich occasion a portrait of the institution itself


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The Mixologist: Peter Reginato at Heidi Cho


Peter Reginato’s gutsy, boisterous assemblages mate the mediums of sculpture and painting.  It would simply be insufficient to describe the components of his collages in steel as colorful.  Welded sculptural form becomes the unlikely support for what would anyway be a dense, involved composition were it contained within the politely conventional dimensions of a stretched…


Lynne Woods Turner, Untitled (9072), 2010. Oil on linen over panel, 10 x 8 inches. Courtesy of Danese

The Canon is Under Fire: What Press Releases Tell You, and What They Don’t


The abundance of self-anointed anti-establishment shows reminds us that nothing in the art world is sacred