Features
 
Jessica Cheung, Self Portrait, from the Umbrella Revolution series, 2014, unfinished.
Statement of artist protester Jessica Cheung and comment by David Cohen ...
 
George Trakas, Times Plaza Tree, 2011. Pencil on vellum, 8.5 x 11 inches. Courtesy of the artist.
The renowned site-specific sculptor has been facing delays in the completion of his recent project at Atlantic Station. ...
 
George Sugarman, Yellow and White, 1967. Oil on Wood, in two parts, 25-1/2 x 35-1/2 x 27-1/2 each. © Estate of George Sugarman, courtesy Gary Snyder Gallery, New York
“Irving Sandler: Out of Tenth Street and Into the 1960s” is at Loretta Howard Gallery ...
 


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Hu Bing at the Flatiron Prow Art Space


Shattered Debris, Sheer Transformation is on view through June 3


Suzanne Anker, Astroculture (Shelf Life), 2009. Inkjet print, 24 x 36 inches, from a set of 21. Courtesy of the Artist

Spilling Out of the Laboratory: A Conversation with Suzanne Anker


Neuroscience informs her work as artist and curator


Catherine Howe, Night Painting (Bluestocking), 2012. Oil and beeswax on canvas, 50 x 60 inches. Courtesy of Von Lintel Gallery

Catherine Howe at Von Lintel Gallery


Still Life as Action Painting


Jack Bush, Sing Sing Sing, 1974. Acrylic on canvas, 68 x 114-3/4 inches. Courtesy of FreedmanArt

Jack Bush at FreedmanArt


Images that balance chromatic vibrancy and earthiness.  DEBATE: Comments from Karen Wilkin and Piri Halasz


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Eve Sonneman at Nohra Haime Gallery


Her diptych photographs and a selection of paintings are on view through April 28


Lucas Samaras in Claes Oldenburg’s Circus: Ironworks/Fotodeath at the Reuben Gallery, February 1961. © Robert R. McElroy/Licensed by VAGA, New York, New York

Shooting a Revolution: Robert R. McElroy, Photographer of the Happenings


As this landmark show enters its last week at Pace Gallery, a profile of the man behind the camera


Mary Corse, Untitled, 2011. Glass microspheres in acrylic on canvas, 114 x 90 inches. Photo Courtesy of Ace Gallery

See First, Think Later: The Art of Doug Wheeler and Mary Corse


The psychology behind Light and Space art and how it sensitizes us to subtleties


Sharon Yaari, Jerusalem Blvd., 2009. Inkjet, 27-3/16 x 32-1/16 inches. Courtesy of Bruce Silverstein

Sharon Yaari at the Silverstein Annual


On view through February 25


Joyce Pensato

Batman Returns: Joyce Pensato introduces color and studio detritus at Friedrich Petzel


Here show will be discussed by The Review Panel, February 24


Rupert Goldsworthy, As the Veneer of Democracy Starts to Fade, 2011.acrylic and Flasche on wood, 24 x 36 inches. Courtesy of Rupert Goldsworthy*

A Success on His Own Terms: A Studio Visit with Rupert Goldsworthy


An interview between Sharon Ma and artist Rupert Goldsworthy