featuresStudio visits
Tuesday, June 16th, 2015

Lisa Hoke installing Come on Down, 2013, at Oklahoma City Museum of Art.

“Unmitigated, Unknowable Joy”: A Studio Visit with Lisa Hoke


her show at Pavel Zoubok continues through July

Friday, June 5th, 2015

Mary Claire Ramirez listening to a crit of her work at the Pennsylvania Academy, May 2015.

“I like to give the viewer a lot of credit”: A Studio Visit with Mary Claire Ramirez


On view at the Pennsylvania Academy of the Fine Arts through June 7

Friday, June 5th, 2015

Willem de Kooning, Easter Monday (detail), 1955 – 56. Oil and newspaper transfer on canvas, 96 x 72 inches. Courtesy of the Rogers Fund and the Metropolitan Museum of Art. © 2015 Artists Rights Society (ARS), New York.

Tell Me: with Daniel Herr


The painter talks about the continuing importance of one of the 20th century’s most influential artists.

Saturday, April 25th, 2015

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Tell Me: with Anne Sherwood Pundyk


The painter and critic discusses her talismanic, nomadic painting, its history and intersection with feminist performance and poetry.

Friday, April 17th, 2015

James Siena, installation view of "New Sculptures," with Eschatologist (2013-14) in the foreground. Photo by: Kerry Ryan McFate / Pace Gallery.

“A little bit of slippage”: The Sculptures of Painter James Siena


New sculptures at Pace, based on little-seen work the painter has been making since the 1980s.

Wednesday, April 8th, 2015

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Presentational: Walter Darby Bannard on his early reductive paintings


A dialogue occasioned by his exhibition at Berry Campbell Gallery through April 18

Friday, February 20th, 2015

Edouard Manet, Young Lady in 1866 (aka Woman with a Parrot), 1866. Oil on canvas, 185.1 x 128 cm.

Tell Me: with Eric Sutphin


The first in a new series of features of two people taking about one artwork in person.

Sunday, February 8th, 2015

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“Portraits are universal”: Peter Malone in Conversation with Jeanne Wilkinson


The painter and artcritical contributor discusses his art, his writing, craft, and the current state of painting.

Friday, May 2nd, 2014

Carin Riley, Knarr, 2014, Watercolor on paper, 20 X 28 inches. Courtesy of the artist.

Myths, Mosaics and Ink Drawing: A Studio Visit with Carin Riley


Riley’s show at the Queens College Art Center is up thru May 9

Monday, March 24th, 2014

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A Fleeting Moment on the J Train: Robert Janitz on his recent work


“I used to be obsessed with the idea that the paintings only show you their backside, as if the real painting’s on the other side”