Spilling Out of the Laboratory: A Conversation with Suzanne Anker
Neuroscience informs her work as artist and curator
A Success on His Own Terms: A Studio Visit with Rupert Goldsworthy
An interview between Sharon Ma and artist Rupert Goldsworthy
“He Still Draws Beautifully and Paints Every Day”: Will Barnet at 100
Painter Peter Barnet and law professor Todd Barnet talk about their father
Résistance: Alain Kirili’s Monument in Grenoble
On the eve of its inauguration, the sculptor discusses his values and aspirations
The Magic of Twilight: Inka Essenhigh on Working Fast and Being Timeless
Monoprints at Pace Prints Chelsea through April 16. Talk with Alexi Worth at the Studio School Tuesday 29
Star-Crossed Painters: Laurie Fendrich and Peter Plagens
Husband and wife exhibitions overlap – and on St Valentine’s Day to boot.
Elegant Systems: Robert C. Morgan on his work
A conversation recorded during his recent show at Williamsburg’s Sideshow Gallery.
The Smell of Gunpowder: A visit with Roman Signer
Signer is a subject of this Friday’s Review Panel and a show at the Swiss Institute
Terrestial Breezes and Solar Winds: A studio visit with Roberto Juarez
On the occasion of his excellent show of small paintings at John Davis Gallery in Hudson, N.Y. I took the opportunity to pay Roberto Juarez a studio visit in nearby Canaan.
Will Cotton
I was reading about Frederick Church and that he had visited the American West and South America– these, which were at the time, very exotic places. And then he made paintings of these places that people had never seen before. And in doing so, introduced this entirely new landscape to the public that people were very excited to see. And I thought, Wow, that’s exactly what I want to do: to build a table-top landscape in the studio and then make paintings of it. So the paintings become a record of this exotic place that existed temporarily, but something no one will ever see in person.
