featuresStudio visits
Friday, August 25th, 2017
 
Clintel Steed, Taekwondo #2 (Olympic Series), 2016. Oil on canvas, 30 x 30 inches. Courtesy of the Artist
“I wanted to paint this subject because all the athletes are so in tune with themselves” ...
Thursday, July 7th, 2016
 
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The sculptor talks about his exhibition in Mexico DF and cultural politics. ...
Thursday, June 30th, 2016
 
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One of Dallas’s longtime dealers talks about the city’s emerging arts scene and its history. ...
 

Saturday, April 14th, 2018

Jennifer Coates, Broken Woods, 2018. Acrylic on canvas, 60 x 72 inches. Courtesy of the artist and Freight + Volume

A Heavy Crush: Jennifer Coates talks Modernism, Joie de Vivre and Trees with Elena Sisto


Her show at Freight + Volumes is on view through Sunday

Thursday, March 22nd, 2018

Rodney Dickson, Untitled, 2016. Oil on board, 17.75 × 17.75 inches. Courtesy of the Artists and David & Schweitzer Contemporary, New York

Two and Two Makes Ten: Rodney Dickson in Conversation with Jeffrey Morabito


His show at David & Schweitzer Contemporary runs through this weekend

Thursday, March 15th, 2018

Installation shot of Dannielle Tegeder: Chroma Machine Suite: Forecasting Fault Lines in the Cosmos. Deconstructed paintings. Image courtesy: Kansas City Art Institute

Iterations: Dannielle Tegeder in conversation with Sharmistha Ray


Chroma Machine Suite is at the Kansas City Art Institute

Wednesday, March 7th, 2018

Tomashi Jackson, Interstate Love Song (Krista), 2018.C-print. Courtesy of the artist and Tilton Gallery, New York

“The Impetus for Collage”: A conversation with Mickalene Thomas and Racquel Chevremont


The couple are co-curators of “The Aesthetics of Matter” at the 2018 Volta Art Fair

Thursday, March 1st, 2018

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Muscle Memory: Kim Dingle talks about her Blindfold paintings with Lucia Love Mooney-Martin


Her show at Sperone Westwater runs through March 3

Thursday, February 22nd, 2018

Sarah Faux, E, 2017. Acrylic on canvas, 74 x 78 inches. Courtesy of the Artist

Sex and Play and Painting: Sarah Faux in conversation with Elena Sisto


“Painting is an Emotional Act” says Sarah Faux, whose show at Cuevas Tilleard runs through Saturday

Tuesday, December 19th, 2017

Emmitt Smith, invisible spectrum, 2017. Oil and acrylic on panel, 18 x 18 inches. Courtesy of the artist

The Desert of the Real: Emmitt Smith discusses his work with Andrew Wagner


Smith is a recent graduate of the Pennsylvania Academy of the Fine Arts who received the artcritical award of a feature in this magazine

Sunday, December 3rd, 2017

Loren Britton, Low Dawn, 2017. Paper pulp, 19 x 15-1/2 inches. Courtesy of the artist and Field Projects

Justice to Dawn: Loren Britton in conversation with Wen Tao


“Second Date” at Field Projects through December 16

Thursday, November 23rd, 2017

Cordy Ryman: Free Fall, at Tower 49 Gallery. Courtesy of the artist and Tower 49

Everything Looks Easy: Cordy Ryman discusses his installation at Tower 49 with David Rhodes and Ai Kaita


Cordy Ryman: Free Fall, through May 2018

Friday, September 22nd, 2017

Leslie Wayne, The Availability Bias, 2017. Oil on panel, 29.5 x 24 x 4 inches. Courtesy of the artist and Jack Shainman Gallery

The Family Clown: A Studio Visit with Leslie Wayne


Leslie Wayne: Free Experience at Jack Shainman Gallery, September 7 to October 21, 2017 Leslie Wayne is known for the vivid density and colorful materiality of her work, most recently a collection of what she called “paint rags” which hang from the wall, and are actually made of many layers of paint. Her latest work,…