featuresStudio visits
Tuesday, July 3rd, 2018
 
Raul Guerrero, Teapot, 1971. Watercolor on paper, 4 x 4 inches. Courtesy of the artist and Ortuzar Projects.
The Californian artist is showing early work at Ortuzar Projects ...
Tuesday, May 29th, 2018
 
PPcover
Recorded in the artist’s studio as his show continues at Betty Cuningham Gallery ...
Saturday, May 26th, 2018
 
On the Allen Street Mall, south of Delancey Street ...
 

Thursday, March 23rd, 2017

Jordan Eagles, BDBC + BD6, 2012-2014. Blood, blood dust, copper, preserved on plexiglass, UV resin, each 36 x 36 x 3 inches. Courtesy of the Artist

Drawn to Blood: Jordan Eagles talks with Darren Jones about his work with corporeal matter


“However much it is seen on TV doesn’t change the amount of blood in your body”

Friday, March 3rd, 2017

Image of A Book as A Bridge from Manhattan to Staten Island, 2016. Courtesy of Elena Berriolo.

A Book as a Bridge: Elena Berriolo in conversation with David Brody


“The conceptual implications of the sewing machine are still unexplored”

Thursday, January 5th, 2017

Dennis Kardon, Painting Contemplates Sculpture, 2007. Oil on canvas, 20 x 16 inches. Courtesy of the Artist

Scopophilia: Dennis Kardon and Alexi Worth in conversation


A dialogue arising from their two-person show at the University of Akron last summer

Tuesday, November 15th, 2016

jones Target

X-Ray Vision: Mary Jones discusses her work with Brenda Zlamany


Mary Jones discusses her work with fellow artist Brenda Zlamany at her one-person show “Proxima b” at John Molloy Gallery (on view through November 26) and in her Chelsea studio. Really, the conversation began when Jones sat for a portrait in Zlamany’s Watercolor Portrait a Day project, which lead to an article here at artcritical…

Tuesday, November 15th, 2016

Jill Magid, Ex-Voto: Miracle of the Diamond, 2016. Oil on tin, 9.84 x 4.59 x 3.46cm. Painted by Daniel Vilchis.

“My work goes beyond metaphor”: A Conversation with Jill Magid


How is an artist’s legacy kept and remembered? Jill Magid’s recent work examines an estate problem.

Tuesday, September 27th, 2016

Richard Bellamy and Mark di Suvero in 1975. Photo: Courtesy of Mark di Suvero

“A Constant Witness”: Richard Serra on Richard Bellamy


A conversation with Erik La Prade

Sunday, September 25th, 2016

Sarah Walker in her studio, August 2016. Photo: Mary Jones

Brainbow: Sarah Walker in conversation with Mary Jones


Her show, Space Machines, is on view at Pierogi Gallery on the Lower East Side through October 9

Friday, September 16th, 2016

IABFMarkwTitle-copy

“We want to have some fun”: Karen Schaupeter Describes IABF


A new art book fair launches in Greenpoint.

Thursday, September 15th, 2016

hockney-cover2

Studio Visit (in a Garden): Oona Zlamany calls on David Hockney in London


David Hockney RA: 82 Portraits and 1 Still-life, on view through October 2

Saturday, September 10th, 2016

Examples from Andrew Raftery's transferware collection, Providence, RI. Photo: Eric Gould

The Autobiography of a Garden: Andrew Raftery in Conversation with Mary Jones


His show, at Ryan Lee, is the culmination of an 8-year project