featuresStudio visits

Roy Oxlade


MR:¬†There is of course always idle speculation on the state of painting as it might relate to the cultural vacuum. One cannot dismiss the fact that painting provides an entertainment for the masses, as do all the other mutant forms of so-called fine art. But its popularity at any given moment is certainly irrelevant. Would…


Saul Ostrow


I’m Saul Ostrow’s first official guest in his new apartment, and he’s happy to be cooking for someone other than himself. Saul has just transplanted from New York to become Dean of Fine Arts and Chair of Painting for the Cleveland Institute of Arts. His wife, the painter Shirley Kaneda, helped him move in, having…


Yvonne Jacquette


Canaletto of the Skies Yvonne Jacquette has had a busy summer. Most of it, as usual, has been spent in Maine – she’s summered in the state since 1954. But there have been trips back to the city to make the final choice of photographs for the definitive book about the work of her late…


R.B. Kitaj


Renewal and Resistance “Where are all the beautiful women?” a lady asks R.B. Kitaj during the packed opening of his recent show at L.A. Louver, a leading gallery in Venice, California. “What?”, he replies, incredulously. Mr. Kitaj has battled deafness for many years, but even so would have had difficulty comprehending this question. The lady…


Ashik Mene and Rino Stephani


Ashik Mene, a Turkish Cypriot artist living in the north part of Nicosia, was welcoming and unsurprised when he heard American English on his mobile phone. In a typically Cypriot way, word had already arrived that a foreign artist wanted to speak with him. It happened when he was waiting at the border crossing from…


Melissa Meyer


Melissa Meyer is big in Japan. Not in the euphemistic sense applied to rock stars, but literally. She has just completed her largest paintings to date there. Tokyo’s newest skyscraper, the Shiodome City Center, designed by Kevin Roche, John Dinkeloo, and Associates, is also, at 43 floors, the tallest. Ms. Meyer has created a pair…


David Brody


You have said that your paintings are “family disputes between order and derangement.” Can you talk about that? That’s just a metaphor that came to me; it doesn’t reveal itself in the final product in a literal way. It’s something that happens in my brain, the working out of the painting process. And I guess…