Superflex, still from Burning Car, 2008. Digital video, runtime: 11 minutes. Courtesy of Superflex.
This simple study of fire destroying a Mercedes is mesmerizing and scary. ...
 
Thomas Nozkowski, Untitled (8-120), 2009. Oil on linen on panel, 22 1/16 x 28 1/8 inches. Courtesy of the artist and Pace Gallery.
“HUBS” is a new category on artists and subjects discussed multiple times at artcritical ...
 
Melanie Schiff, Threadbare I, 2014. Inkjet on paper mounted and framed, 40 x 30 inches, edition of 3 with 2 AP. Courtesy of the artist and Kate Werble Gallery, New York.
Melanie Schiff’s work encourages viewers to stare at the sun. ...
 


Milton Resnick, Untitled, 1989. Oil on canvas, 30 x 40 inches. Copyright The Milton Resnick and Pat Passlof Foundation, 2014. Courtesy Cheim & Read.

Man Out of Time: Milton Resnick at Mana Contemporary


Milton Resnick’s long but underappreciated career gets a review and revision at Mana Contemporary.


MWM-No-11

Wanted but Undesired: Andy Warhol at the 1964 World’s Fair


The Queens Museum untangles the outrage and hypocrisy around Warhol’s commission at the 1964 World’s Fair.


S.SM(12)

Waves: Swoon at the Brooklyn Museum


The acclaimed street artist creates an oceanic jungle in the Brooklyn Museum.


Sigmar Polke, German, 1941–2010, Negative Value II (Mizar) (Negativwert II (Mizar)), 1982, Dispersion paint, resin, and pigment on canvas, 103 1/8 × 79 1/8? (262 × 201 cm), Private Collection. Photo: Alistair Overbruck, © 2014 Estate of Sigmar Polke/ Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

A Critics’ Roundtable on Sigmar Polke at MoMA


with Eric Gelber, Suzanne Joelson, Drew Lowenstein and Saul Ostrow


Emmanuel Cooper, Stoneware with volcanic glaze (detail), ca. 1990s. Courtesy of the artist and Ruthin Craft Centre. Photograph by Dewi Tannatt Lloyd.

Flows of Light and Form: The Life and Work of Emmanuel Cooper


Darren Jones remembers the elemental work and personality of the English ceramicist.


Installation view, "Phoenix: Xu Bing at the Cathedral," The Cathedral of Saint John the Divine. Courtesy of the artist and The Cathedral of Saint John the Divine. Photograph by Aileen June Wang.

Wood, Light and Steel from Ash: Xu Bing’s Phoenixes


Xu Bing’s interest in metamorphosis takes form as two colossal phoenixes.


lessing_cemetery-and-church

“A Dialogue with Nature” at the Morgan Library


“A Dialogue with Nature: Romantic Landscapes from Britain and Germany” at the Morgan Library.


Lynda Benglis, WING, 1970. Cast aluminum, 67 x 59 1/4 x 60 inches. Courtesy of Cheim & Read.

Lynda Benglis at artcritical


“HUBS” is a new category on artists and subjects discussed multiple times at artcritical


KENNEDY_TRNT

Kristan Kennedy at Soloway


“All the paintings have been made, even the embarrassing ones.”


Installation view, “Camille Henrot: The Restless Earth,” New Museum, 2014.
Courtesy of the New Museum, New York. Photo by Benoit Pailley.

Archive of the Everything, Forever: Camille Henrot at the New Museum


Camille Henrot’s ambitious exhibition displays her woven roles as archivist, anthropologist, artist.

Bad Behavior has blocked 1972 access attempts in the last 7 days.