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Photograph of Jack Goldstein by James Welling. Titled: Jack Goldstein in My Studio in the Pacific Building, August, 1978. Inkjet prints (exhibition copies of silver gelatin prints), 2012 Courtesy of the artist and Regen Projects, Los Angeles.
The first US retrospective for the maverick Pictures Generation artist ...
 
Charlotte Posenenske, Series D Vierkantrohre (SquareTubes), 1967/2009, sheet steel, dimensions and configuration variable. Courtesy of Miguel Abreu Gallery.
Philosophy, scrap metal, and classic Minimalism on the Lower East Side ...
 
Installation view of Orly Genger’s Red, Yellow and Blue (2013) in Madison Square Park. Photo by James Ewing / Courtesy of Madison Square Park Conservancy.
Take a lunch break next to these massive, interactive outdoor sculptures ...
 


What to Wear for a Martyrdom


Lecture by David Cohen at New York Studio School, April 1 2014

 

Installation view, DMMDIA at Smack Mellon, 2014.  Photo: Etienne Frossard

A Concentrated Rectangle of Glitz: Rob Hickman in Dumbo


His Smack Mellon installation inspires a “rave” review – and a proposition


shake_shack_EMAIL

The Review Panel Philadelphia: Wednesday, November 13


Ena Swansea at Locks Gallery among shows to be reviewed by Ariella Budick, Astrid Bowlby, Philip Glahn


Bjorn Copeland, Remnant Screen IV, 2013. Courtesy of Jack Hanley Gallery, New York

Failing Better: Bjorn Copeland at Jack Hanley


“a Bushwick flaneurial revelling in oddball sidewalk finds”


Screen image of select books, film, and music from the "Resources" section of the Keith Haring app for iPad2

Capturing Keith Haring’s Dynamism for $5.99


An app for iPad2 digitizes the 1980s art star


Installation view, "Works of the Jenney Archive." Private collection. Courtesy Gagosian Gallery. Photography by Robert McKeever.

The Artist and the Archive: Neil Jenney at Gagosian


What is the relationship between an artist’s work and the art he collects?


Daniel Lefcourt, Drawing Board, 2013, graphite on machined fiberboard panel with pine frame 32 by 42 inches. Courtesy of Mitchell-Innes & Nash, New York.

Modeling Art: Daniel Lefcourt at Mitchell-Innes & Nash


The artist’s debut show at Mitchell-Innes & Nash


Susan Bee, Ruckenfigur, 2013, oil on linen, 24 x 30 inches. Courtesy of Accola Griefen Gallery.

Longing Inside the Frame: Susan Bee at Accola Griefen


Cinematic pathos meets painterly expression


Installation view of Rona Yefman, Mirror (from the project, "My Brother and I") 1996-2010, 35mm color negative, archival inkjet print 19 x 13 inches; and

Queering Kinship: Hervé Guibert, Francesca Woodman, and Others at Callicoon


The hungry ghost and the true friend


Matthew Barney, HYPERTROPHY (incline), 1991, light-reflective vinyl, graphite pencil, and petroleum jelly on paper in self-lubricating plastic frame,10 1/2 x 11 1/2 x 1 1/4 inches. The Museum of Modern Art, New York; gift of R. L. B. Tobin. Copyright Matthew Barney. Digital image courtesy of The Museum of Modern Art/Licensed by SCALA/Art Resource, NY.

Mythology, Mortality, Mailer, and Vaseline: Matthew Barney at the Morgan


An avant-garde ruckus in the library