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Friday, October 14th, 2016
 
Arlene Shechet, A Night Out, 2011. Glazed Ceramic, acrylic paint, and hardwood, 45 x 13 x 17 inches, Courtesy of the artist and Sikkema Jenkins & Co.
As stunning new show opens at Sikkema Jenkins & Co, a look back at last year’s retrospective at Boston’s ICA ...
Tuesday, September 8th, 2015
 
Arlene Shechet, A Night Out, 2011. Glazed Ceramic, acrylic paint, and hardwood, 45 x 13 x 17 inches, Courtesy of the artist and Sikkema Jenkins & Co.
As stunning new show opens at Sikkema Jenkins & Co, a look back at last year’s retrospective at Boston’s ICA ...
Thursday, August 22nd, 2013
 
Photograph of Jack Goldstein by James Welling. Titled: Jack Goldstein in My Studio in the Pacific Building, August, 1978. Inkjet prints (exhibition copies of silver gelatin prints), 2012 Courtesy of the artist and Regen Projects, Los Angeles.
The first US retrospective for the maverick Pictures Generation artist ...
 

Saturday, September 20th, 2014

Installation view, 'Monika Sosnowska: Tower', Hauser & Wirth New York, 18th Street, 2014. Courtesy the artist and Hauser & Wirth. Photograph by Genevieve Hanson.

Looming Tower: Monika Sosnowska at Hauser & Wirth


The artist’s enormous installation at raises questions about how architecture relates to history.

Wednesday, July 16th, 2014

Kelley-Install-11

Multiple Layers of Significance: Mike Kelley at LA MoCA


The final stage of a two year retrospective is a prodigious homecoming.

Thursday, May 29th, 2014

Michael-Jackson-Eating-Popcorn

Mindy to Mork: Animated GIF as Cultural Relic


The Reaction GIF: Moving Image as Gesture at the Museum of the Moving Image

Monday, May 26th, 2014

Installation shot showing Joan Mitchell, Trees, 1990-91. Oil on canvas, diptych 94-1/2 x 157-1/2 inches. © Estate of Joan Mitchell. Courtesy Joan Mitchell Foundation and Cheim & Read, New York

Sylvan Meditations: Joan Mitchell’s “Trees” and Tabla Rasa’s “Intimate Forest”


There’s magic in trees as two Summer shows reveal

Wednesday, April 30th, 2014

Leigh Bowery and Lucian Freud: Photo by Bruce Bernard, 1992 © Estate of Bruce Bernard (Virginia Verran)

“Amazingly Aware and Amazingly Abandoned”: Lucian Freud and Leigh Bowery


an exclusive extract from her new biography, Lucian Freud: Eyes Wide Open

Saturday, April 19th, 2014

Francesco Scanzi, Martyrdom of Saint Apollonia, 1528 Sta. Maria delle Grazie, Soncino. Photo: David Cohen

What to Wear for a Martyrdom


What to Wear for a Martyrdom: Fashion tips for executioners from Late Quattrocento/Early Cinquecento Masters, North and South of the Alps. A lecture by David Cohen given at New York Studio School, April 1 2014 This lecture on April 1 was the first public airing of ideas in what is a new area of interest to…

Saturday, March 1st, 2014

Installation view, DMMDIA at Smack Mellon, 2014.  Photo: Etienne Frossard

A Concentrated Rectangle of Glitz: Rob Hickman in Dumbo


His Smack Mellon installation inspires a “rave” review – and a proposition

Tuesday, February 11th, 2014

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Wednesday, December 18th, 2013

Will Cotton, Cupcake Papers, 2013. 2 color lithograph with hand-coloring on handmade paper, 26 x 20 1/2 inches, edition of 25. Courtesy of Pace Editions, Inc

Come Like Shadows


The first in a new series at artcritical where curators present their projects

Friday, December 13th, 2013

Rob Pruitt, Us (detail), 2013, acrylic, enamel, and flocking on linen, 127 parts, each 29.5 x 23.5 inches. On view at the de la Cruz Collection, Miami. Photo by Nico McIan

Punk Formalism, Sloppy Impulse and Pornographic Narcissism: High Collecting in Miami


de la Cruz vs. Margulies, and the Rubells in China